GeorgeHudetz
Well-Known Member
The 28-200 does have a switch, I just forgot to turn it off in my haste to not miss a single bolt, LOL.
Most of the FG is ghosted. That's grass, fence posts, etc. But it's perhaps a little harder to recognize than the tree in the center.
I think visual "impact" of these particular artifacts are due to the fact that this is a Live View Composite as opposed to a single 60 second exposure. Hard to say exactly what the OIS/IBIS does between exposures. And then: only the highlights are recorded over the duration of the integration (which was perhaps one minute or so). I think that's why the trees on the left & right are not ghosted - they were captured in the initial dark frame, but did not reflect enough of the light from the lightning for the camera to notice over the course of the integration that is recorded after the initial dark frame. But, anything that *did* reflect the lightning ends up ghosted. Kind of interesting.
Most of the FG is ghosted. That's grass, fence posts, etc. But it's perhaps a little harder to recognize than the tree in the center.
I think visual "impact" of these particular artifacts are due to the fact that this is a Live View Composite as opposed to a single 60 second exposure. Hard to say exactly what the OIS/IBIS does between exposures. And then: only the highlights are recorded over the duration of the integration (which was perhaps one minute or so). I think that's why the trees on the left & right are not ghosted - they were captured in the initial dark frame, but did not reflect enough of the light from the lightning for the camera to notice over the course of the integration that is recorded after the initial dark frame. But, anything that *did* reflect the lightning ends up ghosted. Kind of interesting.
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