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*** January 2025 Image and Video Thread ***

Got a few shots in on the drive to Wichita today, this is the one that worked out:

View attachment 8421
20250129-SDIM3030 by Travis Butler, on Flickr
Sigma fp, Konica Hexanon 28/3.5

One think I love about the plains are the wide-open skies.
I am a lineman for the county,
And I drive the main road,
Searching in the sun for another overload,
I hear you singing in the wire.
I can hear you thru the whine
And the Wichita Lineman
Is still on the line.

Such a great song, and your shot evokes it perfectly!
 
I am a lineman for the county,
And I drive the main road,
Searching in the sun for another overload,
I hear you singing in the wire.
I can hear you thru the whine
And the Wichita Lineman
Is still on the line.

Such a great song, and your shot evokes it perfectly!
I thank you very much for your kind words. :) But there are other spots on the Wichita Drive that I think might fit better...

50507453671_8a42a71955_b.jpg
20201011-PA115543 by Travis Butler, on Flickr
E-M1 II, Yashinon DX 50/1.4

50507617672_5ab68394dc_b.jpg
20201011-PA115562 by Travis Butler, on Flickr
E-M1 II, Minolta MC Rokkor-PG 50/1.4
 
It's that time of the year again for my favorite annual car show. Absolutely love it, go every year if I'm in the country. Shot with my adapted El Cheapo EF 40mm pancake. Mostly wide open. It has a little bit of magic about it, that tiny little lens.
250131s-P1025139.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/2500 sec
  • Pattern
  • Auto exposure
  • 0.3
  • ISO 100


250131s-P1025129.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/4000 sec
  • Pattern
  • Auto exposure
  • 0.3
  • ISO 100
250131s-P1025134.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/1000 sec
  • Pattern
  • Auto exposure
  • -0.3
  • ISO 100
 
I am a lineman for the county,
And I drive the main road,
Searching in the sun for another overload,
I hear you singing in the wire.
I can hear you thru the whine
And the Wichita Lineman
Is still on the line.

Such a great song, and your shot evokes it perfectly!

If you like the song you should track down a copy of REM's version (I think it's a live performance). It's definitely the best version of the song.

I agree on the 40mm judging by that first shot - sharp and contrasty with just enough shallow depth of field to throw the background slightly out of focus.
 
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