If you really want it, I think you can come up with a use case for sureWith this size, this has to be an Art lens and excellent in image quality. I am happy that it does not fit in my use case. Or let's say other unknown people in my household will be happy about that....
It will! I‘m only a stills shooter and this lens can replace a 28, 35 and 50 (the 5mm are no show stopper) in one zoom, so very flexible. I expect great picture quality on the same level like fixed length optics.Wow - that's a whopper!
But I'm sure there will be some who'll think it fits their needs - maybe high end video shooters? Can't imagine it will be of enormous use for stills.
Ah, OK. Thanks for that. I stand corrected!It will! I‘m only a stills shooter and this lens can replace a 28, 35 and 50 (the 5mm are no show stopper) in one zoom, so very flexible. I expect great picture quality on the same level like fixed length optics.
This lens will be great for fashion and wedding, also for sports and show if you need wider angles. Sometimes you just need a zoom, when you have no time to change lenses…
The price will be the most important point…
You can use it as a really heavy, really big 28mm prime that everyone has been wantingMy life is too short for so many different use cases...
But atm I really do not see a use case for me. There is no gap in my lens line which this lens could fill.
Sigma is pleased to share the new Sigma 28-45mm f/1.8 DG DN Art lens—a unique full-frame zoom that features a constant f/1.8 maximum aperture and a short wide-angle to normal-length zoom range. This lens is effectively the full-frame mirrorless successor to their popular 18-35mm f/1.8 DC HSM Art lens from nearly a decade ago, serving as a go-to option for filmmakers and photographers looking for a single lens that blends versatility and speed.
This Sigma 28-45mm F1.8 DG DN Art single lens can effectively take the place of carrying 28mm, 35mm, and 50mm f/1.8 primes. It will be larger than any of those single primes, though, measuring 3.5 x 6″ and weighing 2.1 lb. Considering it’s a single lens, though, it’s a usable design that’s still suitable for handheld use. Beyond the uniqueness of the speed and zoom range, Sigma is also pushing the optical qualities of this lens and stating that the sharpness and rendering is also comparable to that of prime lenses. Aspherical and low dispersion elements contribute to high sharpness and accurate color rendering and also promote better focus breathing performance. The lens has a minimum focusing distance of 11.8″ throughout the zoom range and, at the 45mm position, offers a 1:4 maximum magnification ratio for close-up work. Coupling the bright f/1.8 design and 11-blade diaphragm, this 28-45mm f/1.8 is a standout choice for shallow depth of field shooting and selective focusing, especially when working with nearby subjects.
Sigma 28-45mm f/1.8 DG DN Art Lens
Key Features
- Full Frame | f/1.8 to f/16
- Superfast Wide-to-Normal Zoom
- HLA Autofocus
- 11.9″ Minimum Focus Distance
- Aperture Ring with Click & Lock Switches
- SLD and Aspherical Elements
- Nano Porous & Super Multilayer Coatings
- Dust & Splash Resistant
In terms of handling, internal zoom and focusing designs are used to maintain the overall lens length and balance while shooting, making this a perfect candidate for video shooters using a gimbal setup or for one-man productions on a mirrorless platform. This non-moving design also adds to overall dust and splash resistance for working in inclement weather conditions. Another physical touch that’s been optimized for video needs is the manual aperture ring, which can be locked in place to prevent accidental switching and can also be de-clicked for smooth and silent iris transitions.
For autofocus, a High-response Linear Actuator (HLA) is used, which achieves fast, quiet, and smooth focusing performance that, again, is also beneficial to solo shooters working handheld or atop a gimbal. And, for L Mount users, the manual focus ring can be set for linear and non-linear focusing depending on the range one needs to cover during a shoot.
Guessing niche pro video applications. At that size and weight, performance, and price - I have no desire to own one. I'd rather have a 2.8 zoom or for the weight and money just get a 1.2 or 1.4 art prineWhat a monster, too small a zoom range, what's it for? Astro or handheld vlogging?![]()
At least there is more and more choice if you did have a use for it.Guessing niche pro video applications. At that size and weight, performance, and price - I have no desire to own one. I'd rather have a 2.8 zoom or for the weight and money just get a 1.2 or 1.4 art prine
Sorry you've lost me Pete, what is REDACTED?Did you notice in the opening title slide that it said "This episode was shot on REDACTED"?
Richard Wong said he was busy reviewing gear recently too.
Hmmmm.......![]()
I had the 20-40mm too and liked it a lot though it had some focus problems. I had previously thought of primes vs zooms as a binary thing but I found that the short range of the 20-40mm made it feel almost like a prime which having a little bit of flexibility. I think this Sigma would be the same though of course much faster and bigger.At least there is more and more choice if you did have a use for it.
I had a Pentax APSC 20-40mm f2.8 - f4 and was small and lovely to use but 30-60mm FF eq still far too small a range for my photography anyway.
Some camera that they can't reveal the existence of yet...Sorry you've lost me Pete, what is REDACTED?
I don't think they are as I can't see it as appealing to prime lens photographers, my Pentax 20-40 replaced all the Ltd primes in that range but that was still small and lightweight. Going from enjoying Lumix 1.8 primes to this beast I can't imagine the appeal.They're missing the point though - proper wide angle to normal range but with speed normally reserved for primes, so no switching lenses
Sorry you've lost me Pete, what is REDACTED?
Some camera that they can't reveal the existence of yet...
Maybe the new Lumix camera coming out this week, which I imagine is a m4/3.