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Has the S5 Reached the End of The Line?

I just sold my S5ii and kept the S5. The S5ii didn't really offer much over the S5 that mattered to me and I wanted the cash to buy some other stuff. If anything, the IQ is perhaps slightly better on the S5 (for stills) - but I agree that any difference is marginal if it exists at all.

The S5 is still a fantastic camera. Its one significant downside compared to the S5ii is of course the AF, but if you shoot stuff that hardly moves, then it's not a downside that matters.
 
The S5 won't get any more firmware updates bar lens support not because of it's circuitry but because Panasonic want it to become increasingly obsolete so that they can sell more mark IIs plus whatever replaces the S1. It's a shame as simply adding a change to add focal length to the EXIF when using manual lenses would be enough for me.
I think "want it to become increasingly obsolete" is a glass-half-empty view. Panasonic are moving their camera range forward and building new features and capabilities. If they weren't we'd all be complaining like crazy.
 
I sent off my a7r², e-lenses and a few μ43/PK odds & ends, got a lowball offer but a clean closet, and my S5 + 20-60 dream team.

Great to hear that you found a good solution to enter the L-Mount system.

Looking at the older postings of this thread, I just wanted to put some things into perspective about how often new models come out etc.

I started with photography in the analog times, in the late 80ies. Almost 40 years ago.

At that time Photokina in Köln/Germany was the biggest photo fair worldwide. Held every 2 years. Most companies showed new models at every Photokina, so every 2 years. Pro models had a longer cycle like every 4-6 years. This did also depend on the market share. Nikon, Minolta and Canon had new models every 2 years, Leica, Pentax and Contax less often.

Medium Format did this a lot slower, because the MF market was not big enough to justify it and the technological advancement were not worth it.

The innovation in the analog times came mainly with the "software", not with the hardware. The software was the film/slide. Fuji Velvia 50 for example or Fuji Provia 100F. The films allowed us to make a step up in image quality. Not the body. The "big" improvemnts on the bodies were more on the usability side. They introduced in the 80ies aperture priority, program mode etc.. Or different metering calculations like in the Nikon F3 with its 80% metering or spot metering. The younger people around us will be shocked how "slow" innovation was at that time with the hardware and what kind of "basics" were introduced at that time, which every 99$ P&S is capable nowadays.

If we skip the adventure of APS film cameras, the digital P&S area began. We got bombarded almost every 3-6 months with newer P&S models. We startd with 1MP (!) and my first digital camera, a Olympus C100 had 2MP. Nobody thought at that time about DSLRs. It was still too early for "serious" photography. Fuji offered only P&S at that time, Casio was really big in that P&S business etc.

Years later, slowly the DSLR market came alive. First APS-C only models were available, later also fullframe (high end). But also here, new DSLRs every 6 months and Pro models every 2-4 years until the market peaked in technological innovation in 2012.

This was a crazy time and compared to now, you really burned your money every 6-12 months because technology advanced so fast, that each iteration every 6 months brought really a step up in image quality or AF or viewfinder, that you could see in real life situations. So you were kind of "forced" to buy very often a newer model to get this significant step upwards in quality, because the "film" was glued to the hardware. You could not just buy a new film for your old camera like in the old times. Compared to 2024, this was really a nightmare for your wallet.

For normal human beeings, digital Medium Format was not affordable at all. Price tags well above 20.000$ made it impossible. Later digital backs for MF became cheaper but still way too expensive for most of us.

Since 2012 the market saturated and declined. There was no real, siginificant improvement for the masses to justify to continue to burn the money at the same speed. Parallel to this, smartphones became more capable. In 2012 the iphone 5 came out. Camera sales dropped from 120 million per year to around 20 million per year pre Corona (2019). Product cycles adapted and fewer new models appeared at greater intervals. But you get still excellent photos with a Nikon D800 from 2012. There you can see, that there is no big progress anymore since 2012. Cameras are that good already.

But during this period from 2012-2019 the industry continued to adapt. Mirrorless was the "the next big thing". Some were (partly) earlier (Nikon 1, Panasonic & Olympus MFT, Sony, Fuji X), some came very late (Canon and Nikon with bigger sensors in 2018)

Then Corona came in 2020 and the industry hold a deep breath and waited with new models, which is understandable. Today we are at a market with around 6 million camera sales per year worldwide and it will probablydrop down to around 4 million over the next 18 months.

From 120 million in 2012 to 6 million today. Bear this is mind.

The brands have really to fight nowadays to survive and each model needs to be a winner, especially if your brand has a smaller market niche. You can not afford to launch every 2 years a new model with only a few upgrades. Nobody will buy it, because the old cameras are so good already, that you do not need it really. And you need to bundle your R&D efforts. But this is good for us. Longer product cycle iterations means the hardware holds longer its value, we burn less often our money for new models and because the technology matured, we do not really miss something, except maybe the drug (GAS) withdrawal symptoms :)

At the same time we can be glad that Panasonic and Leica brought out so many different models in such difficult times although the L-Mount market share is a fraction of Canon or Sony or Fuji.

If we complain about too many or too few updates, we should compare this to other brands. Sony has the habit to make firmware updates only with new models. If you want to have a new feature, buy a new body ;)

Nikon launched its Nikon 1 system and killed it again. Canon launched its M-System and killed it again. After Sony took over Minolta for 1$, they changed so many times there strategy, that you did not know whether the camera you buy today will be supported tomorrow. Kodak is gone, Minolta is gone, Rollei is gone, Mamiya is gone, Contax is gone, Hasselblad is almost gone etc. pp.

Fuji has a strange strategy that it offers many different bodies around the same sensor, but you never get a body which has all "good things" in one body. For example: If you want to have the body, features and usability of the XT5, but do not want to have 40MP, but maybe 24-26 MP only, there is nothing you can buy from Fuji. If you want to have a Fuji body with 24MP, you have to buy a totally different camera with a totally differnt usability.

The grass on the other side of the fence is not greener. I am really happy with the L-Mount and that we got in Sept. 2020 a S5, in January 2023 a S5ii with PDAF. Both are still today great cameras (no need for a S5ii if you do not need PDAF). Similar to Sony with its older A7 models, the L-Mount has the S5 as an affordable entry level into the L-Mount system. Compared to the older Sony A7 models, the S5 is a lot better and still one of the best cameras with one of teh best sensors out there. You can not say this from the older Sony A7 models ;)

The other Lumix models will get successors too but the higher the price tag, the longer it will take (beside of the Corona break). Would you buy every 2 years a 4.000$ camera? I would not have the money for this.

But looking at the small niche we have with L-Mount in a 6-4 million market, we can not extpect to have too many different models in the future. The Lumix S9 was a surprise for me. My guess is one model below the S5 will come sooner or later, maybe as a rangefinder model - if Leica allows this. A successor of the S1R and also of the S1H. But I doubt that there will be a successor of the S1. The customer voted with their wallet and the S5/S5ii sales numbers are probably a multiple of the S1.

Would I recommend to buy the S5 today? Yes. Without any hesitation. I could go back from my S5ii to the S5 and would miss only some minor things for my individual use case which noone else would care about.

As Paul said the S5 is really good. For me the DFD AF works even for sports. The S5 is still the benchmark others have to try to come even close to it. Daumenhoch
 
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Hasselblad is almost gone
Hasselblad was bought by DJI, and they have started an aggressive marketing campaign with their model X2D-100C. Let's see how far they go, but DJI probably will surprise everyone with their rumored new model. Some say that it will have an interchangeable mount... DJI is doing impressive dron cameras, action cameras, video cameras (osmo pocket 3) and cinema cameras (DJI Ronin 4d).
The camera industry is going clearly towards video content creation. If Chinese companies are surpassing Western ones in the electric car industry, could be that the same will happen in the camera industry (with permission from Sony and Canon).
The S5 is a very competent photo camera, but we all know that AFC for video is not reliable. Anyway, Pro videographers use manual focus. Or another option is to use the S5 with the DJI Lidar focusing system. But, the camera is no longer small in size and we must add the price of the focusing system.
From 120 million in 2012 to 6 million today. Bear this is mind.
Yes, current cameras are so good that you have 5 or 10 years of use. There are many Lumix Gh5s that are still used for pro audiovisual productions, and it is a camera from 2017. I think we are a bit spoiled with our gear...
 
the IQ is perhaps slightly better on the S5 (for stills) - but I agree that any difference is marginal if it exists at all.
Their are quite some purists on Facebook who state the quality of the image of the S5 is a lot better than the S5iiX.
I disagree with them, because 5.9K Prores gives for me the best quality I can work with, but for each person their is something.

Actually: They do state that using a external monitor for recording mitigates the 'issues' they have with the S5ii(X) image, so it is not because of the PDAF.
For me: I film mostly H265 on my S5iiX and it is good enough. Only in some special cases I use H265 All-I or even Prores. And than only because of the PDAF

But I agree, the S5 gives excellent quality, and I think so in the next coming 10 years or such.... I don't really see what there is missing for most, with the exception in some cases of the PDAF.
 
I wouldn’t buy another S5 unless it had improvements and I needed a new body but remain very happy with mine still.
 
I wouldn’t buy another S5 unless it had improvements and I needed a new body but remain very happy with mine still.
For me as a video guy: no PDAF and 30 minutes are the reason I wouldn't buy a new one, but excellent camera as B-cam
 
Faster fps, 30fps electronic and a far bigger buffer. Up to 1.5sec precapture which I'll be definitely using. Higher res EVF, S5 is quite low res. Plus all the other frame.io, LUT capability, faster processor for further enhancements via firmware upgrades.

Few here do stills tracking or sports photography, is the AF tracking not better in S5ii for stills and has more AF tracking modes?

Also forgotten is the S5 4-way joystick, for me that is a massive limitation. S5ii with 8-way is my first camera with a joystick and always moving the AF point, especially for macro using point AF and a 4-way would drive me nuts Z04 Motzer

So there is plenty of difference there for stills alone and now that I'm taking more interest in video having had Pentax before Z04 Head Wall I'm definitely loving the video performance and the sticky accurate AF eye tracking for birds etc. so far.

For too long I hated not having great video from my big camera and I did do video with Pentax but... I hated that a phone had better capability so it is vital. S5ii is more or a modern thoroughbred camera which is necessary in today's market.

Yeah for S5ii and 20-60 for £899 it is excellent value with such a cheap way into FF, but that emohasis is just that and the S5ii I would argue is also as great value with all the various lens combo deals.

I was tempted to recommend the S5 £899 deal in phone forums but I then would have to tell the limitations with the AF and they would hate that when compared to what phones do. Hence my thoughts on what today's hybrid cameras should be capable of.
 
BTW I even "made" (stongly encouraged :p) my mother to buy a Google Pixel 8 Pro for the photo/video. Now a 'proper' camera is a no no for her but it shows the importance of how a modern hybrid "big" camera should not be worse if you want to encourage some to jump over, but Panasonic knew this hence S9 and PDAF introduced in S5ii/X.

BTW I see LumixLabs updated but still no S5ii support, what is keeping them as I want to use it instead of LumixSync? BTW isn't that another limitation for S5 as I don't think it will be supported? I don't think so as it doesn't have the LUT loader capability.
 
Faster fps, 30fps electronic and a far bigger buffer. Up to 1.5sec precapture which I'll be definitely using. Higher res EVF, S5 is quite low res. Plus all the other frame.io, LUT capability, faster processor for further enhancements via firmware upgrades.

Few here do stills tracking or sports photography, is the AF tracking not better in S5ii for stills and has more AF tracking modes?

Also forgotten is the S5 4-way joystick, for me that is a massive limitation. S5ii with 8-way is my first camera with a joystick and always moving the AF point, especially for macro using point AF and a 4-way would drive me nuts Z04 Motzer

So there is plenty of difference there for stills alone and now that I'm taking more interest in video having had Pentax before Z04 Head Wall I'm definitely loving the video performance and the sticky accurate AF eye tracking for birds etc. so far.

For too long I hated not having great video from my big camera and I did do video with Pentax but... I hated that a phone had better capability so it is vital. S5ii is more or a modern thoroughbred camera which is necessary in today's market.

Yeah for S5ii and 20-60 for £899 it is excellent value with such a cheap way into FF, but that emohasis is just that and the S5ii I would argue is also as great value with all the various lens combo deals.

I was tempted to recommend the S5 £899 deal in phone forums but I then would have to tell the limitations with the AF and they would hate that when compared to what phones do. Hence my thoughts on what today's hybrid cameras should be capable of.
I agree with all that - the S5ii is clearly a step up on the S5 - but most of the benefits you mention are only really of relevance for videographers, or photographers shooting birds/wildlife/sports etc. If you do landscapes, cityscapes, portraits, studio, still-life, macro etc then the S5 will meet 99% of your needs, esp if you shoot raw.
 
I wouldn’t buy another S5 unless it had improvements and I needed a new body but remain very happy with mine still.
I would, in a heartbeat. I don't do video, and the S5 DFD is more than good enough for stills, despite what the detractors try to tell you. And I shoot a bit of faster moving subjects, without issue.
 
The S5ii didn't really offer much over the S5 that mattered to me and I wanted the cash to buy some other stuff. If anything, the IQ is perhaps slightly better on the S5
I believe the S5 has just a little more dynamic range; slightly less noise at the bottom end. This may be because of the added phase detect elements in the S5II. This could make the S5 more suitable for things like astro photography.
 
I chose to buy a used S1 over an S5II, and I have no regrets (other than it's trigger button malfunctioning, LOL). I used to fret about wildlife etc. but I just don't worry about it anymore - I don't have the time to go out an pursue that genre - I'd rather look for that next landscape or astroscape. If every now and then I can grab a pretty bird on a branch, or a elk/moose/ whatever in a meadow, then I'm happy.

But I admit - I do kind of want to go out and photograph Pikas in the mountains some day. Those little guys are super cool if you can catch them mid-air as they jump over rocks. Probably do that if I ever get an S1RII/S5IIR/whatever.
 
Their are quite some purists on Facebook who state the quality of the image of the S5 is a lot better than the S5iiX.
I think the main difference in IQ for stills photography is that the S5II and S5IIx drop from 14-bit to 12-bit in burst mode and bracketing, presumably to achieve the faster frame rates that these cameras have, whereas the S5 does not. So if you use these modes in the S5II/x, there can be some loss of IQ which in my experience has been that the RW2s are less malleable.

BTW I see LumixLabs updated but still no S5ii support, what is keeping them as I want to use it instead of LumixSync? BTW isn't that another limitation for S5 as I don't think it will be supported? I don't think so as it doesn't have the LUT loader capability.
Yes, a minor update to add push notifications and the ability to update camera body and lens firmware. I guess the S5II support in LUMIX Lab will appear when camera gets a firmware update. I'd say that's what the delay is about.

I would, in a heartbeat. I don't do video, and the S5 DFD is more than good enough for stills, despite what the detractors try to tell you. And I shoot a bit of faster moving subjects, without issue.
One of the usual protagonists over on DPR who has an S5 and now also an S9, and who only shoots stills, has been posting recently that the S5's AF is terrible. Which is complete nonsense. I get that in video the DFD AF can be a challenge in some situations, but for stills I had no issues with the AF shooting moving subjects in AF-C. For fast moving trains I might get one frame out of 20 that was slightly soft. I always found the S5's AF to be very good for stills.
 
I think the main difference in IQ for stills photography is that the S5II and S5IIx drop from 14-bit to 12-bit in burst mode and bracketing, presumably to achieve the faster frame rates that these cameras have, whereas the S5 does not. So if you use these modes in the S5II/x, there can be some loss of IQ which in my experience has been that the RW2s are less malleable.
I didn’t know that - it might explain a few things!
 
I didn’t know that - it might explain a few things!
With regards to burst shooting, it is declared in the S5II manual:

LUMIX S5II Manual p121.png

It is not mentioned for bracketing but I have seen claims that the same applies from those who have looked at the RW2 files with rawdigger. I guess at least with bracket shots if you are stacking them in post you'd be unlikely to notice a problem.
 
With regards to burst shooting, it is declared in the S5II manual:

View attachment 6812

It is not mentioned for bracketing but I have seen claims that the same applies from those who have looked at the RW2 files with rawdigger. I guess at least with bracket shots if you are stacking them in post you'd be unlikely to notice a problem.
I'll go do some poking in some raw files later and check.
 
I've just been looking at some exposure brackets taken in a burst from my S5 MkII with RawDigger and they are still 14bit files.
 
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