Last year I ordered a
Lumix 50mm / F1.8 first.
But found out already within the shop by some test images, this Lumix 50mm copy was faulty / had problems (a real "lemon").
Only "this copy" - as I didn't believe the found errors was normal. Give the advise to shop employees to send this copy back to Panasonic.
So even didn't take it home. Leave it in the shop and ordered the
Sigma 50mm F1.4 DG DN | Art.
The
Sigma 50mm F2 DG DN | Contemporary was introduced a month later or so.
Otherwise it could be possible that I had chosen that one ??
But no regrets. I am very happy with the choice of this F1.4 lens. A kind of love-hate feeling.
Love the quality of general sharpness already wide open & bokeh.
Nice bokeh, not only in the background blur, but also in the foreground blur.
Older lens designs, when having a nice background blur, mostly it is not nice within the foreground.
(A lens with undercorrected spherical aberration is associated with a smooth background blur and a harsh foreground blur;
the situation is reversed for a lens with overcorrected spherical aberration.).
I do use this prime specially for the fast openings "only". So aperture values between F1.4 and F2.8
(Could even be that I never used it at smaller aperture openings above F2.8 ?)
I love the high mechanical build of the lens, and completeness of functions (e.g. the separate aperture ring).
The “hate” feeling, is the big and bulky size.
Other negative aspects as e.g. CA / LoCa at wide apertures, distortion. (Knew that already before buying).
Most fast lenses do suffer by these errors in more or lesser degree. (Or have to invest in far more expensive lenses).
Bother not that much for the kind of images / subjects I use this lens. As it can be corrected in post.
(Balance between costs and "overcome" lens errors).
Keep in mind, perfect lenses don’t exist. In one way or another there's always a drawback.
If it is not by pure optical means, it is by weight and size, or e.g. manual focus vs. AF.
-