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The S5 mk 1 tips & tricks thread

Markuswelder

Well-Known Member
Not all of us here are chasing the latest in greatest in camera bodies, there seems to be quite a few that still use -and are very happy with the original mk 1 version. Myself being one of them. It's a much better camera, than the "professional reviewers" would have you believe. So I thought I'd start a thread to collect users experiences on what actually works well on the mk 1. I'd rather figure out and learn one particular model, than continually jumping to upgrade after upgrade, simply hoping that the manufacturer will magically deliver exactly what I want. Know my camera intimately, what works, and what doesn't. Or not so well anyway.

As we know, the AF had big changes between the mk1 & mk 2 models, so what is mostly being discussed here (currently in the Forums) is not that relevant to us DFD users. I've got to admit, I'm quite a big fan of DFD, for photographic purposes. Moving subjects and all. I don't do video myself, nor do I shoot small birds at vast distances but I'm not averse to users posting up their bird shooting settings or video tips & tricks. Not in the slightest.
So feel free to jump on in, and give us some of your hot tips that we can all perhaps experiment with, and see if it works for us.

I'll start. The S51 doesn't have very much in the way of subject detection AF modes. Face/people, animals, or both. That's it. But what it does have, seems to work pretty darn well, in my experience. It's not perfect. Far from it. but it does work, and the longer I spend tinkering around with it, the more I think I like it.

What I have been trying to find, is a basic, all round general purpose focus mode setting, that works in most scenarios. For me. I'm actually on holidays at the moment, probably not the best time to start getting all sidetracked on experimenting with different setups, but hey, what the hell. Nothing ventured, nothing gained right.

Because there's such a wide variety of subject matter that presents itself while wandering around strange cities/countries, the last thing you want to be doing, is diving off into the menus and p!$$ farting around to adjust settings every few seconds, just to suit different subject matter as it presents itself. So what I've come up with, is this.

1-Area+ AF mode. The owners manual tells us that the camera prioritizes the single point/box, but uses the framed area around the box to supplement subject acquisition, should your subject stray outside the focus box. Which does happen when shooting moving subjects. I'm not perfect at tracking, far from it. So I can use the help, and happy to accept my deficincies. So far, it seems to work.
Prior to this, I used to use the Zone (Oval) pattern, which works pretty good, but you lose the ability to specify that single, central point of the focus box/pattern.

Now, the good thing about using 1-Area+, is that you can also use Human/Animal detect with it. Which you can't, with Zone Oval. What you can also do, if you want to help the Human/Animal detect when it fails to pick up the subject, is place the 1-Area+ over the subject, & the camera will usually then pick up the subject, or at the very worst focus on that spot, rather than randomly jumping around the frame looking for something to nail.

Yeah, I know that you can cycle through multiple detected faces using just Human/Animal detect with touch focus or direction button presses, but I personally think it's quicker to just flick the joystick to move the AF box to the person you want, and let the camera take over from there. But that's just me. Plus, if there are no humans in the scene, you can still use your movable, re-sizeable single focus box, to precisely focus wherever you like. Without diving off into menus to change AF mode. Which you can't do (use a single AF box) with straight Human/Animal detect. Simple huh :) Now, if worst comes to worst, and there's tons of people in your frame but you want to focus on something specific rather than people, it's just one button press to get to the 1-Area+ AF setting, (because you just left it there from the last time you accessed it and don't need other settings) and turn the Human/Animal detect on or off. Very very quick & simple. It works.

Now, I've read a fair bit of complaining about Panasonic's lack of ability to focus on static subjects such as landscapes, using AFC. Rather than AFS. Because Sony does. For crying out loud, man up a bit. Just a little bit. There's a lever sitting right there beside your thumb, to change modes. With your eye still up to the EVF. No menu diving, just one, single little click, and it's done. When YOU want to, not the camera.
Panasonic actually had a setting in previous m4/3 bodies, called AFF -or Autofocus follow, as well as AFS, or Autofocus single. I tried to like it, but found it a bit laggy in detecting when your subject was actually starting to move and therefore jumping over to AFC. So much quicker, easier and reliable just to flick that little lever that Panasonic so thoughtfully placed right beside your thumb, to the appropriate mode.

That will do for a start, just one thing that's been on my mind and I figured out, that I thought I'd share. As it may have popped into peoples consciousness after all the grizzling over the S1R mk2.
Anyway, here's a couple of shots from yesterday, switching from shooting landscapes, to a moving subject, to environmental portrait with just a flick of my thumb. It works.

250429-P1026222-1600.jpg
  • Panasonic - DC-S5
  • 18.0 mm
  • ƒ/2
  • 1/3200 sec
  • Pattern
  • Auto exposure
  • 0.3
  • ISO 100


250429-P1026226-1600.jpg
  • Panasonic - DC-S5
  • 39.0 mm
  • ƒ/2.8
  • 1/2500 sec
  • Pattern
  • Auto exposure
  • -0.7
  • ISO 100


250429-P1026234-1600.jpg
  • Panasonic - DC-S5
  • 66.0 mm
  • ƒ/3.5
  • 1/200 sec
  • Pattern
  • Auto exposure
  • ISO 100
 
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Hey, I use 1+Area+AF, too! (For terrrestrial shooting, not astro photography) I sorta stumbled across it by accident while I was just screwing around with the camera after I first got it. I don't recall ever seeing or hearing of reading of anyone else using it or even talking about it. Could be one of the OG S5's greatest easter eggs.
 
Hey, I use 1+Area+AF, too! (For terrrestrial shooting, not astro photography) I sorta stumbled across it by accident while I was just screwing around with the camera after I first got it. I don't recall ever seeing or hearing of reading of anyone else using it or even talking about it. Could be one of the OG S5's greatest easter eggs.
Yeah, could indeed be indeed. And that's precisely why I started this thread. To collect thoughts and real world experiences from actual, long term users. Rather than the "professional reviewers" who's greatest strength seems to be criticizing any camera that dares to not be another CaNikony clone :)
I've had my S5 18 or so months now, and yeah, it's the first time I've actually sat down and figured out how to understand and effectively use 1-Area+ mode. And I'm liking it. I'm sure there are lots of other little nuggets to be found by those long term users who shoot daily, or on a regular basis.
 
Right. Another little setup trick I figured out for my S5. And possibly earlier, and later Panasonic S cameras. Regarding manual focus. I've read lots of complaining regarding the little Lumix S 26mm F8 pancake. One being that it's not that sharp, and the other that it doesn't invoke peaking or focus aids when the Focus ring is turned. I suspect that the main instigator of the "soft" or unsharp claims about the 26mm, is simply improper focusing.

So what I do, is simply move the MF assist box to the point in the frame/composition where I want the plane of focus to be. However you like. Touch screen, Joystick, Arrow keys, whatever. This activates the focus assist box, and then a further press of the joystick brings up the magnified view. What I have done is set the magnified view to Picture in Picture, which then allows you to both focus on the EXACT spot where you want the focus plane to be, as well as frame up your composition at the same time. As the magnified view hasn't over run the entire EVF/rear screen blocking out your whole composition, you can still see the borders of what you want to frame.
If you turn focus peaking on, you don't even have to look in the focus assist box to see if you're in focus or not, because the focus box is only using a tiny portion of your scene. As long as you see the flash of peaking colour in the assist box, you're good to go. Sure, you can overshoot in either direction, as long as you split the difference your focus will be spot on.

Too easy. It makes manual focus childs play. Fast and accurate. Give it a try. It's been a fair while since I set my S5 up this way, so I can't give you exact step by step instructions on how to go about it, but you just have to find the Picture in Picture settings, and you're good to go.

Hope this helps someone, or at least makes someones life a little bit easier.
 
The Lumix S5 Mk1 is better than many think, who never used one.

In case I decide to keep my Lumix S1 Rii, it is very likely that I will sell my S5ii and buy second hand a S5 Mk1, to have a 24MP sensor again for all stuff when I do not need 40MP.

I basically never missed something important on my S5 Mk1 for my use cases and I used many different cameras to be able to compare them with the S5 Mk1.

The Lumix S5 mk1 will be iconic like the Nikon D70, D500 and D800 nowadays.
 
Okay, a quick S5 guide in setting up what I've described above.

Press menu, scroll down to the gear Icon, over to the AF submenu, then down to MF Assist.

I've got my camera set to Focus ring -on, AF Mode -on, Press Joystick -on, and MF Assist Display to PIP. That's it. I suspect this will work for any MF lens, I can't confirm it 100% as the 26mm Pancake is the only MF lens I have for my S5.
 
The Lumix S5 Mk1 is better than many think, who never used one.

In case I decide to keep my Lumix S1 Rii, it is very likely that I will sell my S5ii and buy second hand a S5 Mk1, to have a 24MP sensor again for all stuff when I do not need 40MP.

I basically never missed something important on my S5 Mk1 for my use cases and I used many different cameras to be able to compare them with the S5 Mk1.

The Lumix S5 mk1 will be iconic like the Nikon D70, D500 and D800 nowadays.
One thing that I have noticed with the S5 -I haven't 100% confirmed it with any sort of scientific back to back testing mind you, is that Panasonic Lumix L mount lenses do appear to be a little bit faster and snappier than my Sigma 28-70mm F2.8 lens with DFD. Don't get me wrong here -it's far far far from being sluggish or unusable, it's dead accurate, but perhaps just a tiny bit slower on fast moving subjects. In some ways, I'm a little bit concerned that perhaps the L mount alliance may abandon the DFD profiles/support when producing new , more modern lenses for the Alliance. At the moment Panasonic still seems to still be utilizing DFD for final AF adjustment in it's bodies/lenses, and I'm pretty happy with my current collection of lenses, so no real concern for the foreseeable future anyway.
 
that Panasonic Lumix L mount lenses do appear to be a little bit faster and snappier than my Sigma 28-70mm F2.8

Which Lumix lenses do you use, when you experience this?

I could try to do the same on my S5ii, if I have the same Lumix lenses. But I have only the18-40, 20-60 and 70-300. I sold the other Lumix lenses already.
 
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effectively use 1-Area+ mode
I used the 1-Area(Human/Animal Detect) for this pictures of horses with very low light. The S5 managed to focus horses even in the strangest positions...

20250430_110008.jpg
  • samsung - SM-F721B
  • 5.0 mm
  • ƒ/1.8
  • 1/100 sec
  • Center-Weighted Average
  • Auto exposure
  • ISO 250


20250430_110130.jpg
  • samsung - SM-F721B
  • 5.0 mm
  • ƒ/1.8
  • 1/100 sec
  • Center-Weighted Average
  • Auto exposure
  • ISO 250


20250430_110202.jpg
  • samsung - SM-F721B
  • 5.0 mm
  • ƒ/1.8
  • 1/100 sec
  • Center-Weighted Average
  • Auto exposure
  • ISO 400

I normally use the 1-Area(Human/Animal Detect) because the AF Area is bigger than the AF Area of the 1-Area+, isn"t it?

I will try to edit the pictures property later...
 
I have few complaints about my S5. In fact, I had an S5ii for a while but sold it because it really didn't add anything of value for what I shoot (mostly landscape).

But I prefer the S1 most of time for my 24Mp needs, simply for its superior build and handling (but bigger/heavier of course). I really appreciate the bigger and higher res EVF in particular. Whilst the S5ii upped the res of the EVF, the magnification was the same. On the S1, the magnification is higher so it appears both larger and higher res.
 
I used the 1-Area(Human/Animal Detect) for this pictures of horses with very low light. The S5 managed to focus horses even in the strangest positions...

View attachment 11348



View attachment 11350
I normally use the 1-Area(Human/Animal Detect) because the AF Area is bigger than the AF Area of the 1-Area+, isn"t it?

I will try to edit the pictures property later...
P1459448.jpg
  • Panasonic - DC-S5
  • 24mm F3.5 DG DN | Contemporary 021
  • 24.0 mm
  • ƒ/3.5
  • 1/1250 sec
  • Pattern
  • Auto exposure
  • ISO 6400


P1459486.jpg
  • Panasonic - DC-S5
  • 24mm F3.5 DG DN | Contemporary 021
  • 24.0 mm
  • ƒ/3.5
  • 1/640 sec
  • Pattern
  • Auto exposure
  • ISO 5000
 
As we know, the AF had big changes between the mk1 & mk 2 models, so what is mostly being discussed here (currently in the Forums) is not that relevant to us DFD users. I've got to admit, I'm quite a big fan of DFD, for photographic purposes. Moving subjects and all. I don't do video myself, nor do I shoot small birds at vast distances but I'm not averse to users posting up their bird shooting settings or video tips & tricks. Not in the slightest. So feel free to jump on in, and give us some of your hot tips that we can all perhaps experiment with, and see if it works for us.

I found the S5 to have very good AF for photos including moving trains in AF-C mode. In a burst I would get one or two OOF frames at most. And the S5 had the benefit of not dropping to 12-bit in burst mode which is what the S5II does.

You may already know about this but just in case, LUMIX published an AF guidebook for the S1/S5 series cameras that has some helpful info on the custom AF modes and how to use them:


Now, I've read a fair bit of complaining about Panasonic's lack of ability to focus on static subjects such as landscapes, using AFC. Rather than AFS. Because Sony does. For crying out loud, man up a bit. Just a little bit. There's a lever sitting right there beside your thumb, to change modes. With your eye still up to the EVF. No menu diving, just one, single little click, and it's done. When YOU want to, not the camera.
Yep, completely agree. I always flicked to AF-S for static scenes (did this on the S5 and now on the S5II) because it's the logical and sane thing to do. I don't want the camera trying to refocus on something else.

There is a lot of nonsense posted about Panasonic because people expect the camera to behave just like a Canon/Nikon/Sony. One of the OM fanbois in the DPR forums bought an S5II and a G9II to use for his concert photography and then complained loud and long that the Panasonic joystick didn't work the same as an OM1 joystick. According to him Panasonic got it completely wrong, and of course OM knew what they were doing. Z04 Computer Haukaputt
 
One thing that I have noticed with the S5 -I haven't 100% confirmed it with any sort of scientific back to back testing mind you, is that Panasonic Lumix L mount lenses do appear to be a little bit faster and snappier than my Sigma 28-70mm F2.8 lens with DFD. Don't get me wrong here -it's far far far from being sluggish or unusable, it's dead accurate, but perhaps just a tiny bit slower on fast moving subjects. In some ways, I'm a little bit concerned that perhaps the L mount alliance may abandon the DFD profiles/support when producing new , more modern lenses for the Alliance. At the moment Panasonic still seems to still be utilizing DFD for final AF adjustment in it's bodies/lenses, and I'm pretty happy with my current collection of lenses, so no real concern for the foreseeable future anyway.
When I had the S5, one thing I noticed was that with my Sigma 35mm f2 on the camera the DFD pulsing in AF-C with the shutter half pressed was a bit more visible in the EVF/LCD compared to my LUMIX lenses. It wasn't a big deal but I recall others reporting it too. Presumably the Panasonic lenses were a bit quicker so the pulsing was not as visible. This didn't impact the actual AF accuracy of the photos. They were always tack sharp, probably a bit sharper with the Sigma to be honest.
 
One thing that I have noticed with the S5 -I haven't 100% confirmed it with any sort of scientific back to back testing mind you, is that Panasonic Lumix L mount lenses do appear to be a little bit faster and snappier than my Sigma 28-70mm F2.8 lens with DFD.

When I had the S5, one thing I noticed was that with my Sigma 35mm f2 on the camera the DFD pulsing in AF-C with the shutter half pressed was a bit more visible in the EVF/LCD compared to my LUMIX lenses. It wasn't a big deal but I recall others reporting it too. Presumably the Panasonic lenses were a bit quicker so the pulsing was not as visible.

It is a Panasonic thing. DFD / Contrast Detect relies on being able to make small adjustments to the focus very rapidly, so Panasonic's lenses can "wobble" the focus backwards and forwards very fast: according to the specs the S Pro lenses do so at 480Hz. Phase Detect relies more on being able to go to a certain distance quickly and accurately, and Sigma's lenses are designed to do that.
 
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