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S5 vs GX8 vs G9ii

pdk42

Moderator
I've been missing a small and portable camera so I recently bought a used GX8 for a good price. Fitted with a small prime (e.g. the Oly 17/1.8 or the PL 15/1.7), it's a decent enough camera and fulfils its intended purpose well - that is, something small and light to take on trips where the bulk of an ILC is too much - a cheapo Leica Q3 if you like! It's a keeper for the time being.

On a separate train of thought, I've been curious about about the Panasonic G9 ii for a little while. For those that don't know much about the G9ii, its sensor uses a fancy dual gain technique ("DR boost") that seems to deliver much cleaner shadows than I've seen on m43 cameras before. Sample images I've downloaded seem to perform very well when I've gone pushing shadows and exposure.

I moved from m43 to FF two years ago predominantly because I was frustrated with the limitations of m43 to deliver clean enough images to do the sort of post processing I often do on landscape shots. It was not an easy decision because I really like the m43 ecosystem in terms of lens choice and performance. FF delivers the IQ I want, but I still hanker for the Oly 12-100!

So, this past weekend I had a play with the G9ii courtesy of the Lumix Loan programme here in the UK. Basically, you can get kit from Panasonic to try for a weekend for no cost at all. Hard to resist!!

Since I had the GX8 with me, I thought I'd do a three-way test. The TLDR is this (and it's sort of obvious really):

Pushing shadows in files shot at base ISO

- The G9ii is notably better than the GX8 but still lags the S5. My measure is noise and colour shift.
- However, the G9ii isn't too far behind the S5 and I think for most landscape shooting it would be fine.

If you want to see the evidence for these conclusions, read on...

Test conditions:
- Shot on a tripod with a 2s delay
- Electronic shutter
- G9ii with Olympus 25mm f1.8 lens. f5.6
- GX8 with Panasonic 12-60 set to 23mm (thought it was 25mm, but...). f5.6
- S5 with Lumix 50mm f1.8. f11
- Exposures more or less matched (but there is some ISO calibration variance so I had to tweak a bit)


Pushing shadows

I shot this scene with all three cameras at their base ISO:
l0.jpg
  • Panasonic - DC-G9M2
  • OLYMPUS M.25mm F1.8
  • 25.0 mm
  • ƒ/5.6
  • 1/2000 sec
  • Pattern
  • Auto bracket
  • -2.7
  • ISO 100



I exposed to keep the sky well within clipping. I could perhaps have added an extra stop of exposure without losing highlight detail, but I wanted to do a stress test on shadow pushing.

On all three cameras, I did this:

- Pushed shadows +100
- Selected the foreground (everything but the sky) and pushed that 1.8 stops

This gives a more-or-less normal brightness for the foreground. Now you might think this is an unrealistic thing to do, but it's something that can happen very easily on, say, a sunrise or sunset (after the sun has disappeared, I'm not talking of having the sun itself in shot). I could shoot a bracket of course, but if the shot is a long-exposure, this isn't usually practical. This is the sort of use case that led me to move away from m43 a couple of years ago.

And this is the result:

GX8:
l1.jpg
  • Panasonic - DMC-GX8
  • LUMIX G VARIO 12-60/F3.5-5.6
  • 23.0 mm
  • ƒ/5.6
  • 1/3200 sec
  • Pattern
  • Auto bracket
  • -2.3
  • ISO 200


G9ii:
l2.jpg
  • Panasonic - DC-G9M2
  • OLYMPUS M.25mm F1.8
  • 25.0 mm
  • ƒ/5.6
  • 1/2000 sec
  • Pattern
  • Auto bracket
  • -2.7
  • ISO 100


S5:
l3.jpg
  • Panasonic - DC-S5
  • LUMIX S 50/F1.8
  • 50.0 mm
  • ƒ/11
  • 1/400 sec
  • Pattern
  • Auto bracket
  • -3
  • ISO 100


I think it's pretty obvious that the S5 is the best - least noise and least colour shift. But the G9ii does OK.

Looking at the trees on the right at 100%, this is what we see:

GX8:
l4.jpg
  • Panasonic - DMC-GX8
  • LUMIX G VARIO 12-60/F3.5-5.6
  • 23.0 mm
  • ƒ/5.6
  • 1/3200 sec
  • Pattern
  • Auto bracket
  • -2.3
  • ISO 200


G9ii
l5.jpg
  • Panasonic - DC-G9M2
  • OLYMPUS M.25mm F1.8
  • 25.0 mm
  • ƒ/5.6
  • 1/2000 sec
  • Pattern
  • Auto bracket
  • -2.7
  • ISO 100


S5:
l6.jpg
  • Panasonic - DC-S5
  • LUMIX S 50/F1.8
  • 50.0 mm
  • ƒ/11
  • 1/400 sec
  • Pattern
  • Auto bracket
  • -3
  • ISO 100


Let's see what happens if I clean the m43 images up using LR's NR (with NR set at 25%):

GX8:
l7.jpg
  • Panasonic - DMC-GX8
  • LUMIX G VARIO 12-60/F3.5-5.6
  • 23.0 mm
  • ƒ/5.6
  • 1/3200 sec
  • Pattern
  • Auto bracket
  • -2.3
  • ISO 200


G9ii:
l8.jpg
  • Panasonic - DC-G9M2
  • OLYMPUS M.25mm F1.8
  • 25.0 mm
  • ƒ/5.6
  • 1/2000 sec
  • Pattern
  • Auto bracket
  • -2.7
  • ISO 100



So now we're getting a decent shot off the g9ii. Here it is side-by-side with the S5 (un-enhanced):
l9.png

The GX8 is still showing too much colour loss as well as a blue/magenta shift, but I've hit the limit of 10 attached images so I'll post it in the next message.

Now, I know that the GX8 is an older m43 camera. But I do know that its sensor is pretty much the same as in the Pen-F. I've run a Pen-F against an EM1.3 and for sure the EM1.3 is a little better. But my recollection is that it is not as much of a step up as we're seeing in these G9ii images. I also did comparisons of the EM1.3 against the OM1 with this sort of testing and I couldn't see any meaningful difference. So my conclusion is that the G9ii is certainly the best m43 camera for landscape shooting.
 
Comparison of S5 with GX8 cleaned up:
l10.png
 
So, my conclusion from all the above is that for landscape shooting, the G9ii is definitely the best m43 camera out there. It gets close to the FF S5, but still lags it.

Is it good enough for me to swap (again)?

I really like the idea of going back to the 8-18 (or 8-25) and 12-100 as my landscape kit. Not only is the gear lighter and smaller, but the ability to use a wider aperture alongside better IBIS means that you can shoot in lower light without a tripod. These are really tempting benefits.

But, I've grown used to what FF can do for me in terms of IQ and latitude in post processing. And having the S1R when I want a higher res camera is really a nice option too. If I could get a half-decent 24-200 or 28-200 lens for my L-mount cameras then I'd be very happy. I really hope that Tamron get around to releasing their 28-200 for L-mount!

So I think I'll be staying where I am for the moment. By picking up a GX8 I've got a small camera for everyday use and it works very nicely with small primes.
 
Thanks for the work to make all these comparison shots. This will help many users.

What I personally do not like with the G9ii is the file size (40MP) and body size (same as S5ii). The advantage of MFT over FF in weight and size and handling with the same body is zero.
Bear in mind that you will never have a 40 MP sensor in MFT. If you want to print big, you need fullframe. Even in landscape shots there is always a movement. High Res shots with MFT will not work in most shots.

MFT lenses are often smaller. But this depends on the lens. I dot not think the 12-100 has an advantage in weight/size vs. fullframe lenses.

I am an MFT fan, but I doubt that this would be the right decision for your described use case.

Sooner or later an equivilant to the MFT 12-100 will be available also in LMount.
 
So, my conclusion from all the above is that for landscape shooting, the G9ii is definitely the best m43 camera out there. It gets close to the FF S5, but still lags it.

Is it good enough for me to swap (again)?

I really like the idea of going back to the 8-18 (or 8-25) and 12-100 as my landscape kit. Not only is the gear lighter and smaller, but the ability to use a wider aperture alongside better IBIS means that you can shoot in lower light without a tripod. These are really tempting benefits.

But, I've grown used to what FF can do for me in terms of IQ and latitude in post processing. And having the S1R when I want a higher res camera is really a nice option too. If I could get a half-decent 24-200 or 28-200 lens for my L-mount cameras then I'd be very happy. I really hope that Tamron get around to releasing their 28-200 for L-mount!

So I think I'll be staying where I am for the moment. By picking up a GX8 I've got a small camera for everyday use and it works very nicely with small primes.

Thanks for the analysis, Paul.

As a former m4/3 user, I can't see myself going back to that format. I found that with FF I don't have to work as hard on FF photos in post, the larger shooting envelope is helpful, I can crop more if I wish without loss of quality, and if I don't get the exposure right in camera it is easier to rescue a shot.

The camera bodies in both formats are now essentially the same size so it's just the tele lenses that are bulkier in FF but I don't find that a problem with my 24-105 or 70-300.

The GX8 as an everyday carry is a good idea. I kept my GX85 for this purpose with the Lumix 14mm and 20mm primes. But the wonderful S9 has replaced that now, and I love having just one mount and the same battery size. Z04 Carrot
 
Thanks for the analysis, Paul.

As a former m4/3 user, I can't see myself going back to that format. I found that with FF I don't have to work as hard on FF photos in post, the larger shooting envelope is helpful, I can crop more if I wish without loss of quality, and if I don't get the exposure right in camera it is easier to rescue a shot.

The camera bodies in both formats are now essentially the same size so it's just the tele lenses that are bulkier in FF but I don't find that a problem with my 24-105 or 70-300.

The GX8 as an everyday carry is a good idea. I kept my GX85 for this purpose with the Lumix 14mm and 20mm primes. But the wonderful S9 has replaced that now, and I love having just one mount and the same battery size. Z04 Carrot
There would be an S9 in my bag now if had an EVF!
 
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I would wait. Above all, do not sell the S1R!

You did that already once and did regret it.

We do not know what Panasonic's plans are. We do not know what Panasonic and Leica agreed on when they signed the stronger R&D cooperation.

We can only observe, analyze and interpret what they are doing and what they are going to do.

What I see is that the Leica Q3/Q3 43 looks very similar to the S9, but Panasonic hesitates to bring out there own rangefinder body with EVF.

What we see is that there is a Leica SL3 out there, but no S1R successor yet. I am sure there will cone one, but the delay is longer then in the past. Either because Panasonic is doing something different/better than the SL3 or because they agreed to wait longer.

Maybe the priority for the S1H successor is higher for Panasonic. Who knows...

But a S1Rii does not help, if it costs 4.000€. That would be Leica territory and Panasonic customers usually do not want to pay Leica prices. At least I would not be willing to do that.

In that scenario you would be happy that you kept your S1R.

The grass on the other side of the fence is always greener ;)
 
Maybe the priority for the S1H successor is higher for Panasonic. Who knows...
It definitely is, they have got to keep up their video orientated market which unfortunately for some seems to be bigger than their photography only market.

The hybrid good at both is as big... the S5ii market.

The photography only and video not considered is left to Leica and hence possibly the lack of importance of an S1R ii etc. with Panasonic concentrating upon the more popular market share hence S5ii, S9 etc. and their S1H successor will be very much welcomed.

Their expensive initial introduction with S1R and 50 f1.4 Pro as brilliant as they were are perhaps not their focus on profitabilty any longer... Because they weren't!
 
It definitely is, they have got to keep up their video orientated market which unfortunately for some seems to be bigger than their photography only market.

The hybrid good at both is as big... the S5ii market.

The photography only and video not considered is left to Leica and hence possibly the lack of importance of an S1R ii etc. with Panasonic concentrating upon the more popular market share hence S5ii, S9 etc. and their S1H successor will be very much welcomed.

Their expensive initial introduction with S1R and 50 f1.4 Pro as brilliant as they were are perhaps not their focus on profitabilty any longer... Because they weren't!
I agree. I’m pretty sure the S1 ii will be a hybrid camera that will replace all three of the current S1 variants. Maybe later we’ll get an S5 or S1 ii R, but at least for a while I think the only hi res L mount body targeted at stills will be the SL3.
 
I agree. I’m pretty sure the S1 ii will be a hybrid camera that will replace all three of the current S1 variants. Maybe later we’ll get an S5 or S1 ii R, but at least for a while I think the only hi res L mount body targeted at stills will be the SL3.
I found this article online today with a long laundry list of possible new Panasonic models that are supposedly on the way.

 
I found this article online today with a long laundry list of possible new Panasonic models that are supposedly on the way.

Ha, ha - I guess if you predict all possible futures then you can never be proved wrong. Reminds me of the guy in France who offered a prediction service for pregnant woman - he would predict whether it was a boy or a girl for a reasonable fee with a full refund if he got it wrong !!
 
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