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*** January 2025 Image and Video Thread ***

So the Wife & I were out shopping today, & we stumbled across this :) The advantage of having a smallish, light-ish, good quality camera that's not too much drama to take with you. Nearly everywhere :) My camera/s can in no way be accused of being shelf, or cupboard queens, that's for certain :)
Those ultrawides being pressed into service. Again.
It's nice when you see a job you've done, out in the field, in service. With a happy customer
250120Es-P1014987.jpg
  • Panasonic - DC-S5
  • LUMIX S 20-60/F3.5-5.6
  • 20.0 mm
  • ƒ/10
  • 1/200 sec
  • Pattern
  • Auto exposure
  • 0.7
  • ISO 100
250120Es-P1014988.jpg
  • Panasonic - DC-S5
  • LUMIX S 20-60/F3.5-5.6
  • 20.0 mm
  • ƒ/8
  • 1/320 sec
  • Pattern
  • Auto exposure
  • ISO 100
250120Es-P1014989.jpg
  • Panasonic - DC-S5
  • LUMIX S 20-60/F3.5-5.6
  • 26.0 mm
  • ƒ/8
  • 1/250 sec
  • Pattern
  • Auto exposure
  • ISO 100
 
Sharing some introductory recent shots on joining the forum. Thought I would give you a brain teaser also. The images were taken during the last 2-3 months using a Panasonic lens, a Sigma lens and a Leica Lens and two different bodies. As a clue,.. 2 primes and a Zoom. Any thoughts anyone.? :)
Really enjoying some of the shots posted since Jan 1st 2025 from these excellent Lumix/Panasonic lenses and bodies.

L1010036.jpeg

DO01003688.jpeg

L1040045.jpeg
 
Last edited by a moderator:
Sharing some introductory recent shots on joining the forum. Thought I would give you a brain teaser also. The images were taken during the last 2-3 months using a Panasonic lens, a Sigma lens and a Leica Lens and two different bodies. As a clue,.. 2 primes and a Zoom. Any thoughts anyone.? :)
Really enjoying some of the shots posted since Jan 1st 2025 from these excellent Lumix/Panasonic lenses and bodies.

Great photos, Bill.

Unfortunately I have no clue whatsoever which lenses were used for your photos!
 
The Commercial Hotel at Wallerawang. A country pub established 1871.

Two versions of this photo - standard LUMIX S5II colour profile vs LEICA Monochrome

P1011088_DxO-1.jpg
  • Panasonic - DC-S5M2
  • LUMIX S 24-105/F4
  • 38.0 mm
  • ƒ/8
  • 1/400 sec
  • Pattern
  • Auto exposure
  • ISO 100


P1011088_DxO.jpg
  • Panasonic - DC-S5M2
  • LUMIX S 24-105/F4
  • 38.0 mm
  • ƒ/8
  • 1/400 sec
  • Pattern
  • Auto exposure
  • ISO 100
 
A pair of very clean looking Pacific National 82 class locomotives haul empty wagons through Goulburn, NSW:

P1010944_DxO-1.jpg
  • Panasonic - DC-S5M2
  • LUMIX S 24-105/F4
  • 37.0 mm
  • ƒ/10
  • 1/800 sec
  • Pattern
  • Auto exposure
  • ISO 500
 
Great photos, Bill.

Unfortunately I have no clue whatsoever which lenses were used for your photos!
Thanks Pete,

Not an easy one, but here are the details.

1. Andrews Cross Spider = Panasonic S Line 100mm Macro f/2.8 ISO 200 (Size+weight=Incredible)
2. Lake Iseo Ferry = Leica Q2 -Summilux 28mm @ f/1.8 ISO 100 (What's not to like..except $)
3. Pelican = SL2-S, Sigma DG DN f/2.8 OS Sport 70-200mm - ISO 400

All the best and have a good long weekend and Australia Day.
 
Thanks Pete,

Not an easy one, but here are the details.

1. Andrews Cross Spider = Panasonic S Line 100mm Macro f/2.8 ISO 200 (Size+weight=Incredible)
2. Lake Iseo Ferry = Leica Q2 -Summilux 28mm @ f/1.8 ISO 100 (What's not to like..except $)
3. Pelican = SL2-S, Sigma DG DN f/2.8 OS Sport 70-200mm - ISO 400
Thanks. I can imagine that the Q2 would indeed be wonderful.
All the best and have a good long weekend and Australia Day.
Thanks! And to you too!
 
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I used my S5iiX cam's 96MP high-resolution mode to "scan" one of the few original film NEGATIVES my late father brought back from post-WWII Europe. This particular negative is 30mm x 40mm. I captured this image using a 24mm macro extension tube behind my Lumix S 20-60mm lens. (Most of his other >125 WWII photos are small B&W prints.) I don't have a negative holder for this film size, so I improvised. The negative is in poor condition, so I repaired the image using Pixlemator Pro.

Because it's from a negative, I don't know for sure where or when the photo was taken. Comparing it to his other photos, my guess this was snapped mid-1945, possibly soon after VE Day that May. He looks exhausted. As a combat surgical technician he experienced ... a lot. And, in April 1945 his older brother and only sibling died from wounds suffered months before during the Battle of the Bulge. In most of his other 1945 photos my Dad has a haircut and is often seen smiling. Somehow, life goes on.
armando-decrescenzo-wwii-long-hair-mid-1945-p1001466-v2-cc.jpg
  • Panasonic - DC-S5M2X
  • LUMIX S 20-60/F3.5-5.6
  • 60.0 mm
  • ƒ/5.6
  • 1/40 sec
  • Center-Weighted Average
  • Manual exposure
  • ISO 100
 
I used my S5iiX cam's 96MP high-resolution mode to "scan" one of the few original film NEGATIVES my late father brought back from post-WWII Europe. This particular negative is 30mm x 40mm. I captured this image using a 24mm macro extension tube behind my Lumix S 20-60mm lens. (Most of his other >125 WWII photos are small B&W prints.) I don't have a negative holder for this film size, so I improvised. The negative is in poor condition, so I repaired the image using Pixlemator Pro.

Because it's from a negative, I don't know for sure where or when the photo was taken. Comparing it to his other photos, my guess this was snapped mid-1945, possibly soon after VE Day that May. He looks exhausted. As a combat surgical technician he experienced ... a lot. And, in April 1945 his older brother and only sibling died from wounds suffered months before during the Battle of the Bulge. In most of his other 1945 photos my Dad has a haircut and is often seen smiling. Somehow, life goes on.
Thanks for sharing Peter. Your photo of the negative has worked really well. It's a powerful portrait and wonderful that you have these photos from the past.
 
I had a very enjoyable, and quite productive morning out with my S5 & Canon EF40mm pancake. There's just something about that lens, that gives it a bit of a difficult to nail down or explain, pop about the images it produces. Even with dull, grey, overcast light, you still get that "depth" look to the images somehow 250126s-P1025095.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/3200 sec
  • Pattern
  • Auto exposure
  • ISO 100
250126s-P1025056.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/1600 sec
  • Pattern
  • Auto exposure
  • ISO 100
250126s-P1025068.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/1600 sec
  • Pattern
  • Auto exposure
  • 0.3
  • ISO 100
 
And, in April 1945 his older brother and only sibling died from wounds suffered months before during the Battle of the Bulge.
It is now 80 years after the Battle of the Bulge. This was the deadliest United States' battle of WWII; about 19,000 men were lost. I'm sorry about your uncle. My father lived through that battle, and then his unit went a little ways into Germany. But he came down with severe pneumonia, had a couple of months in a hospital in France, and then shipped home.
 
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How did they go astray for so long, after excelling themselves with this beauty? All shot with the tiny little EF 40mm f2.8 pancake
250126s-P1025088.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/1600 sec
  • Pattern
  • Auto exposure
  • -0.3
  • ISO 100
250126s-P1025091.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/2000 sec
  • Pattern
  • Auto exposure
  • -0.3
  • ISO 100
250126s-P1025040.jpg
  • Panasonic - DC-S5
  • 40.0 mm
  • ƒ/2.8
  • 1/800 sec
  • Pattern
  • Auto exposure
  • 0.3
  • ISO 100
 
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