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I am a very huge fan of the Lumix products... I had a TV from Panasonic but I burned myself with that. It broke to quickly just after warranty. In the Netherlands that doesn't mean that you cannot get part of the money back from the seller, because by law a TV should work longer than 2 years, but the seller went bankrupt so I was out of luck.
As far as I remember that was the 14-28 vs 16-28. Had the stuff in my car today to go out 16-35 shopping after work.. but when arriving at my car it went home with me.. I'm not ready yet
why not add your finest and best and ultra wide image your are very very happy with and are willing to share Taken with a lens I asked in the orignal post. Let's have some persuasive image to win me over to one or the other I know it's not the lens what make the image! But hope to see some inspiration
I posted this image last week, I think:Let's make this a bit more graphic
That's your impartially stacked opinionHahaha, I'm starting to think that I'm a Lumix-fanboy
I'm having a discussion on a Spanish Nikon forum about whether the S5 iix is the best hybrid camera on the market now that the Nikon Z6iii has been introduced...
Maybe I'll start another thread about "what is the best mid-range hybrid camera on the market", I think the comparison with the Z6iii is really interesting
Please share some images because this is my feeling too. 35 makes the lens so much more useful. Images taken with 16-35 are not that often shared here.
John, why is people using a TV instead a monitor for colorgrading? I have seen that many people (a lot of "gamers") use the LG OLED 42 C2/C3 EVO Smart TV...
The LG monitors have a very good color reproduction and can be configurated 'near perfect', for a lot less than for true reference monitor. Even professional studios use the LG Oled tv's for this purpose.
Ok, thanks for the info. As far as I know LG has high quality monitors too, this is the reason I find the use of a TV interesting. I had understood that using a TV with high refresh rate (144Hz) as a computer monitor could cause less eye strain, but perhaps it has to do with the distance at which you are located too.
Right now I use the LG 27UP650-W - 4K IPS Monitor - 27 inch as grade monitor. During a zoom BMD Davinci training session I found out that the trainer was also using this monitor and it was cheap. For now it is definitely good enough, especially in P3 colorspace. In the future this wil become my timeline monitor. Right now I use an very old HP for that, and a Iliama as a third monitor for the clips, viewer etc. The third monitor I have fitted vertically.Ok, thanks for the info. As far as I know LG has high quality monitors too, this is the reason I find the use of a TV interesting. I had understood that using a TV with high refresh rate (144Hz) as a computer monitor could cause less eye strain, but perhaps it has to do with the distance at which you are located too.
I have two LG cheap monitors and I think it is going to be time soon to upgrade... Another thing for my long list of upgrade gear stuff
For me it would not be a problem, because a monitor doesn't need to be online for me, and I would use the OLED-tv as a monitor.
That is a very interesting topic... I was told something similar about Samsung smart TVs. But, we should define the idea of "spying", because ALL the tech brands collect data, IMHO. Starting with apps, following with cookies if web pages and of course the GAFAM companies.
Yeah, but I feel like those where we have to opt out instead of opt in are the worst. Most still give the opportunity to decline at start, not that you have to menu-dive to opt out.
I do HDR videos, with the purpose of showing these videos on HDR TVs. HDR computer monitors for editing have been VERY expensive, so for quite a while I used a LG OLED 42 TV as my editing monitor. This required a Blackmagic Design computer to TV interface, and this combination with the LG TV worked well.
The LG OLED A1 48" 4K Smart HDR TV - OLED48A16LA model I have is no way suitable for editing of any sort, it looks poor compared to this AMOLED DCI-P3 68B colours Poco F6 phone screen that I now do all editing on.
Thank you, Charles, for the explanation. I see that videography is way more expensive than photography... but it is worth it
16-20-24mm
