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Lumix S Pro 16-35mm f/4

Jonathan-Mac

Well-Known Member
Some early samples from Panasonic's "Pro" level ultra-wide zoom, I'm sure I'll add some colour stuff once I get it - these were all taken on a dull, rainy day in Madrid (that doesn't happen very often...).

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Metro
by Jonathan MacDonald, on Flickr

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El Corte Inglés
by Jonathan MacDonald, on Flickr

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Arrowflash!
by Jonathan MacDonald, on Flickr

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Metro II
by Jonathan MacDonald, on Flickr

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Fan out
by Jonathan MacDonald, on Flickr

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Puddle reflections
by Jonathan MacDonald, on Flickr

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Line 10
by Jonathan MacDonald, on Flickr
 
I'll add a few more images, mostly from a recent trip to Porto in Portugal. This was the only zoom I took for the trip and I found the range very useful - 16mm ultra wide up to 35mm which is not too far off a normal. I took most shots one or other extreme of the range with very little in between, but I found the image quality to be excellent regardless of the settings.

I will add however, that I have experienced some occasional AF problems with the lens. Sometimes it misses focus by a small amount despite my S5's focus confirmation. It's sometimes enough to be visible in the viewfinder without magnification, sometimes not and I don't see it until reviewing afterwards. It may be related to the known Lumix "outgassing" problem from which my copy suffers, but I haven't noticed any other performance issues.

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Porto by Jonathan MacDonald, on Flickr

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Porto colours by Jonathan MacDonald, on Flickr

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Porto bird lady by Jonathan MacDonald, on Flickr

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Porto by Jonathan MacDonald, on Flickr

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Sunrise by Jonathan MacDonald, on Flickr

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Samosa
by Jonathan MacDonald, on Flickr

Porto tram by Jonathan MacDonald, on Flickr

53259445554_cecf6da2f8_b.jpg
Porto by Jonathan MacDonald, on Flickr

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Porto 65:24 #2 by Jonathan MacDonald, on Flickr

I like this last image but it demonstrates the misfocusing I mentioned - if you zoom in it's quite soft.

53253863756_10a09a3ccf_b.jpg
Porto 65:24 by Jonathan MacDonald, on Flickr
 
This shot is the first here taken on the second copy of this lens after Panasonic replaced it (which I'm very happy with since I didn't even buy it new - it was already used). So far the lens seems to be every bit as good as my first copy but I haven't used it enough to say if it also suffers from the occasional mis-focusing problems.

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Segovia christmas night
by Jonathan MacDonald, on Flickr
 
I'll add a few more images, mostly from a recent trip to Porto in Portugal. This was the only zoom I took for the trip and I found the range very useful - 16mm ultra wide up to 35mm which is not too far off a normal. I took most shots one or other extreme of the range with very little in between, but I found the image quality to be excellent regardless of the settings.

I will add however, that I have experienced some occasional AF problems with the lens. Sometimes it misses focus by a small amount despite my S5's focus confirmation. It's sometimes enough to be visible in the viewfinder without magnification, sometimes not and I don't see it until reviewing afterwards. It may be related to the known Lumix "outgassing" problem from which my copy suffers, but I haven't noticed any other performance issues.

View attachment 1482
Porto by Jonathan MacDonald, on Flickr

View attachment 1483
Porto colours by Jonathan MacDonald, on Flickr

View attachment 1484
Porto bird lady by Jonathan MacDonald, on Flickr

View attachment 1485
Porto by Jonathan MacDonald, on Flickr

View attachment 1486
Sunrise by Jonathan MacDonald, on Flickr

View attachment 1487

View attachment 1491
Samosa by Jonathan MacDonald, on Flickr

Porto tram by Jonathan MacDonald, on Flickr

View attachment 1488
Porto by Jonathan MacDonald, on Flickr

View attachment 1489
Porto 65:24 #2 by Jonathan MacDonald, on Flickr

I like this last image but it demonstrates the misfocusing I mentioned - if you zoom in it's quite soft.

View attachment 1490
Porto 65:24 by Jonathan MacDonald, on Flickr
Very nice photos!
 
I'm glad people liked it but I've just removed it - it was hopelessly out of focus and I hadn't even noticed until now. So it seems that this second copy of the 16-35mm has the same focusing problems as my original copy (which was replaced due to blue fogging). That's a shame and suggests it's a problem with this particular lens design.
 
I'm glad people liked it but I've just removed it - it was hopelessly out of focus and I hadn't even noticed until now. So it seems that this second copy of the 16-35mm has the same focusing problems as my original copy (which was replaced due to blue fogging). That's a shame and suggests it's a problem with this particular lens design.
Oh no. If you're struggling with the 16-35, take a look at the 14-28. I'm quite pleased with mine. There is some sharpness fall off towards the edges, but it's not too bad and more than acceptable unless you're being very nit-picking.
 
I'm glad people liked it but I've just removed it - it was hopelessly out of focus and I hadn't even noticed until now. So it seems that this second copy of the 16-35mm has the same focusing problems as my original copy (which was replaced due to blue fogging). That's a shame and suggests it's a problem with this particular lens design.
I doubt there is a problem with the Lumix S Pro 16-35mm f/4 lens design?
I never met problems by the AF of that lens.
But at least there is one difference with your situation in comparison to mine. My camera is a Lumix S1R.
(But I doubt that should be the "big difference").

When using AF, keep in mind e.g. when using the 16mm wide angle, and have much foreground / background.
And using a big AF area (AF points spread to a wide area), it can focus easily to "wrong" foreground AF points.
Do use a small AF area, and check / move the focus area within the viewfinder to a more small detailed area of the total image.
You definitely want to be sharp / in focus.

In case op landscape photography, often I do use manual focusing, to have more control, to depth of field.

In the case of photographing people and using the AF people (eye recognition). That function also do work great here.
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I doubt there is a problem with the Lumix S Pro 16-35mm f/4 lens design?
I never met problems by the AF of that lens.
But at least there is one difference with your situation in comparison to mine. My camera is a Lumix S1R.
(But I doubt that should be the "big difference").

When using AF, keep in mind e.g. when using the 16mm wide angle, and have much foreground / background.
And using a big AF area (AF points spread to a wide area), it can focus easily to "wrong" foreground AF points.
Do use a small AF area, and check / move the focus area within the viewfinder to a more small detailed area of the total image.
You definitely want to be sharp / in focus.

In case op landscape photography, often I do use manual focusing, to have more control, to depth of field.

In the case of photographing people and using the AF people (eye recognition). That function also do work great here.
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Logic can only lead me to believe that the problem is in the 16-35mm. It has happened to me only with two different copies of that lens, manufactured years apart, and with no other on my S5. I doubt it's a general ultra-wide problem as I use my 20-60mm at 20mm frequently and it's never happened.

I'm not ready to give up on the lens as when it works it's excellent but I will take more care from now on to confirm proper focus when using it.
 
Logic can only lead me to believe that the problem is in the 16-35mm.....
What is 'Logical' to one person may have a different meaning to another.

I searched on Google for autofocus problems with this lens.
Besides several messages found of your own copies having trouble.
I only found a message, that under dark conditions this lens do have more AF problems.
Well, that is nothing new. All lenses with less fast starting aperture values, shall met AF problems sooner under dark conditions.
Specially in comparison to the older S1 / S1R camera models, known for their less fast / reliable AF, than e.g. te more new S5 II model.
But that is more a camera issue than a lens issue.

But NO messages found as for problems as mentioned by yourself.
Even the opposite fast and reliable AF - (by a more old review).

As of May 2021, the Leica SL2s received a big firmware update. For stills shooters, that update brought a lot of autofocus upgrades.
The Panasonic 16-35mm f4 now autofocuses faster on the Leica camera than it can on Panasonic’s own cameras.

What’s more, the autofocus is accurate. Tracking autofocus and continuous autofocus work well for journalistic situations.

"By logic" if there is a main AF problem by this lens "by design", I should find many, many more messages of users having comparable problems..
And at least a lens firmware update for correction that should be related to those issues "if there was a general complain" of AF issues.
But there isn't either. The only firmware update (v1.1) = "Improved optical correction control" (whatever that may entail).

So "by logic" I think in one way or another it could be that you are using the wrong AF focus technique itself ?
(As I explained earlier in my previous post, how to deal with it).
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So far in 2024, I have taken over 700 shots with my 16-35, which I purchased - I think - four years ago. I just scanned through probably 100 of those 2024 shots, and didn't see any obvious trend of out-of-focus images. I do this by zooming in to 200% on my retina display, BTW. I almost always use AF-S and generally shoot landscapes at F8, using an S1R.

So, I have seen no indication of mis-focus problems on my copy after thousands of shots over several years.

Here's a shot from Arches:

P1573711.jpg
  • Panasonic - DC-S1R
  • LUMIX S 16-35/F4
  • 17.0 mm
  • ƒ/11
  • 1/25 sec
  • Pattern
  • Auto exposure
  • ISO 100


And a 100% crop:
P1573678 1.jpg
  • Panasonic - DC-S1R
  • LUMIX S 16-35/F4
  • 35.0 mm
  • ƒ/4
  • 1/1300 sec
  • Pattern
  • Auto exposure
  • ISO 100
 
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