pdk42
Moderator
That’s a good metaphor.Absolutely nobody, as you rightly point out this is silly. It's like telling a Mercedes SL500 buyer to get a Subaru Imprezza WRX instead.
Rolex vs Apple Smart watch etc.
That’s a good metaphor.Absolutely nobody, as you rightly point out this is silly. It's like telling a Mercedes SL500 buyer to get a Subaru Imprezza WRX instead.
Rolex vs Apple Smart watch etc.
Good comparison, but also the explanation for some reviews and reactions:Absolutely nobody, as you rightly point out this is silly. It's like telling a Mercedes SL500 buyer to get a Subaru Imprezza WRX instead.
Rolex vs Apple Smart watch etc.
I've watched a few SL3-S reviews. My thought, first forgetting about price, would I want it over my S5IIx? I really like the CFExpress B card; that's a thing the S5IIx should have had, especially when using ProRes. I like the Leica menu system; it seems like an upgrade over Lumix. I like the tilt screen; I know with my video/hybrid orientation I should prefer a flip screen, but I actually like well implemented tilt screens. And it's a better looking camera, and with better weather sealing. But, it doesn't seem to have the exposure tools the S5IIx has, like a waveform monitor which I consider almost essential for video. And it's not going to take better pictures or videos. I don't know, if the price was the same I might go for the Leica. Of course back to reality, the nice things about the SL3-S aren't worth the price difference for me.Here is a link to Ted Forbes' initial impression of the Leica SL3-S. Only 10:48 long, to the point and seems a fair assessment
Yes, there are some really nice features on the SL3-S that I would like. The tilty screen would be perfect for me, and I love the control panel design. It looks so clean and intuitive. I am not sure I like unlabelled buttons though.I've watched a few SL3-S reviews. My thought, first forgetting about price, would I want it over my S5IIx? I really like the CFExpress B card; that's a thing the S5IIx should have had, especially when using ProRes. I like the Leica menu system; it seems like an upgrade over Lumix. I like the tilt screen; I know with my video/hybrid orientation I should prefer a flip screen, but I actually like well implemented tilt screens. And it's a better looking camera, and with better weather sealing. But, it doesn't seem to have the exposure tools the S5IIx has, like a waveform monitor which I consider almost essential for video. And it's not going to take better pictures or videos. I don't know, if the price was the same I might go for the Leica. Of course back to reality, the nice things about the SL3-S aren't worth the price difference for me.
But the price is off the planet especially here in Australia due to the exchange rate. I only take photos for fun so I could never justify spending that much on a camera!
Yes, it's crazy!Here in New Zealand, SL3-S's price is even higher than the Australian price
What I’ve tended to notice is that Leica fans tend to focus on things that can’t be measured by numerical metrics- instead of megapixels or fps, build quality and ergonomics, for example. Shooting experience. And I can understand this to a degree, since I value a lot of the same things myself. Instead of focusing speed or MTF on a lens, color and fine tonal gradation. Etc.It seems to me that outside of this little club of Leica fans that Leica products (especially L Mount) are in general perceived as being uncompetitive from a price/feature point of view. The Leica apologetics ignore this and instead just wax lyrical about how great the gear is. And for most target use cases that’s probably a fair assessment. No one is going to use a Leica for BIF.
It kind of reminds me of all the watch stores on Bahnhofstrasse in Zurich. Beautiful watch after beautiful watch, with very high prices that make no sense at all if what you want is something on your wrist that properly tells time. But if what you want is something that has good fashion, and something that exudes craftsmanship, and something you will feel good about owning and wearing when you dress up to go out on the town, then the prices start to make a little sense.I’m not likely to be a Leica owner; the price is way out of my reach, forget about price/performance. But I can understand the mindset; cameras I’ve loved like the Oly Pen-F get derided as “fashion” cameras when what I enjoy is the build quality and shooting experience.
I just discovered that you can not tune the white balance; you have presets, but you can not choose kelvin 5600 for example (min. 1:00:07 aprox):Panasonic cameras offer some things I want that Leica don't have - like multi-axis tilt screens/flip screens, overlayed info on the image, a few more buttons
I just discovered that you can not tune the white balance; you have presets, but you can not choose kelvin 5600 for example (min. 1:00:07 aprox):
I just discovered that you can not tune the white balance; you have presets, but you can not choose kelvin 5600 for example (min. 1:00:07 aprox):
I don't agree with that analogy, because it implies it's mainly fashion; and as I said in my example, the things I talked about are real. Build quality is real, and something you feel every time you try to mount a lens, or use a control dial, or even just hold a camera. (Why yes, I've owned cameras where body panels flex when you pick them up, and cameras where the bayonet binds when you mount a lens, and too many with mushy imprecise control dials.) Ergonomics are real. Control design is real. And these things all make a big difference in the joy I feel when using a camera. And to some degree, yes, that does affect the quality of pictures I take. I take better pictures when I can concentrate on the framing and the shot, instead of fighting with the controls as your hand cramps on the grip.It kind of reminds me of all the watch stores on Bahnhofstrasse in Zurich. Beautiful watch after beautiful watch, with very high prices that make no sense at all if what you want is something on your wrist that properly tells time. But if what you want is something that has good fashion, and something that exudes craftsmanship, and something you will feel good about owning and wearing when you dress up to go out on the town, then the prices start to make a little sense.
I see Leica somewhat like that; perhaps not all the way like a Swiss watch company, but cameras that have that have some of that aura. Now we have the SL3-S, that tells time just like my S5IIx, and a little better in some areas. Is it worth a premium over the S5IIx? Sure, but nothing like a Swiss watch premium.
It seems a “hump free” l mount body has a lot of people asking for it. Neither the Sigma Fp nor the S9 have an EVF which rules them out. The Q as an ILC would certainly be of great interest, esp if it had a tilt screen.This discussion can be done in comparison with watches or also cars... If you want to buy a Ferrari or Lamborghini (and can somehow afford it) you will do it. if you need such a car or not. And only very few people on the planet will "need" such a car...
When I got the SL3 in my hands it was a great experience, the camera is very well build and even more lightweight then my S1R. But as said, I have no won in a lottery yet. So I can stay with my S1R or maybe the new version (depending on price only!)
BUT: If Leica decides to rip of the lens from the Q and put a L-Mount on it, it would be a very hard decision not to collect the money and spend a lot of it into such a body. I hoped for the S9 or before to the fp-l. But all of these are no real photography cameras like the Q. The Q is for me a mix of M-Leice and modern L-Mount. But good for my bank account, such a camera doesn't exist....