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A crazy thought: Shoot ProRes HQ, but covert to h265 in post?!

Here's a similar test, this time recorded using 4 different S5iiX codecs. The original 4K 60p footage was recorded under natural daylight. It was edited in a 4K 60p timeline in Davinci Resolve Studio and exported out as 4K 60p 10-bit h265 (compressed to 487MB). Click the "gear" icon to view in 4K. Again, the results look pretty much the same to me. The camera appears to record this specific type of motion/scene the same, regardless which codec is used. Is this useful info for "real world" shooting? Beats me. But is was fun devising & shooting these tests.
 
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