I was initially excited for the S1Rii release, and really wanted to see the pixel-binning similar to the Leica Q3 or Sony A7R V:
"Medium Raw (M Raw) refers to a lossless compressed RAW file type that results in 26MP images, downsampled from the full 61MP sensor".
Instead, I satisfied my GAS with a second Lumix S5 body so that I can shoot with 2 primes quickly without changing lenses. It is something that I have wanted for awhile, since the Lumix S5 sensor glass seems to be a dust magnet in the field.
I like to have the Sigma 35mm f2 on one body; and either the Sigma 65mm f2 or Lumix 20-60mm on the 2nd body. So far I love this setup, and hang both from my neck simultaneously.
I have decided that I really don't need more than 24-26 megapixels. Sometimes, with my Sigma primes, I think the 24 megapixels on the S5 is "too sharp" for the monochrome work that I do. I will use a Tiffen Black Diffusion/FX 1/2 filter to lower sharpness a bit. I also lower contrast slightly in Lightroom.
I had the 50 megapixel, Fujifilm GFX 50R for awhile and loved zooming into the images at 300% in Lightroom to see the detail; but for prints up to 20" (my max), that detail is lost. The noise, even at 640 iso was also worse than the S5 at higher ISOs.
Single point autofocus on the S5 is fast enough and accurate for what I need. The clean, low-noise files and great dynamic range from the S5 means that I will be satisfied with these 2 bodies for a long while.
My recent work: https://www.instagram.com/erikannis/
"Medium Raw (M Raw) refers to a lossless compressed RAW file type that results in 26MP images, downsampled from the full 61MP sensor".
Instead, I satisfied my GAS with a second Lumix S5 body so that I can shoot with 2 primes quickly without changing lenses. It is something that I have wanted for awhile, since the Lumix S5 sensor glass seems to be a dust magnet in the field.
I like to have the Sigma 35mm f2 on one body; and either the Sigma 65mm f2 or Lumix 20-60mm on the 2nd body. So far I love this setup, and hang both from my neck simultaneously.
I have decided that I really don't need more than 24-26 megapixels. Sometimes, with my Sigma primes, I think the 24 megapixels on the S5 is "too sharp" for the monochrome work that I do. I will use a Tiffen Black Diffusion/FX 1/2 filter to lower sharpness a bit. I also lower contrast slightly in Lightroom.
I had the 50 megapixel, Fujifilm GFX 50R for awhile and loved zooming into the images at 300% in Lightroom to see the detail; but for prints up to 20" (my max), that detail is lost. The noise, even at 640 iso was also worse than the S5 at higher ISOs.
Single point autofocus on the S5 is fast enough and accurate for what I need. The clean, low-noise files and great dynamic range from the S5 means that I will be satisfied with these 2 bodies for a long while.
My recent work: https://www.instagram.com/erikannis/